Tyler Friedman’s music vacillates between cosmic impulses and analytical inclinations. Escaping the rift between post-club experimentalism and the theory-driven partition of contemporary art, his output spans numerous releases, soundtracks, installations, collaborations and performances and draws on an unwieldy arsenal of divergent references and tactics. Friedman’s solo output focuses on a lysergic strain of dubbed minimalism, equally indebted to late-00s techno and the downtown avant-garde. Created largely in a feedback loop with modular synthesizers and Max/MSP, his sequences and generative patterns are infused with an intuitive complexity and alchemical formalism. Current trajectories point further away from the strictures of club music and have been increasingly oriented towards alternative tunings and uncanny harmonic interactions. His music has been released on Sweden’s Kontra Musik, Arjuna Records, Tokyo-based Protection and Radicant_Editions. In the context of contemporary art, Friedman works to manifest conceptual constellations in sonic form. He has been responsible for the sonics of collaborative projects that have been commissioned and presented worldwide, including at dOCUMENTA(13), Haus der Kulturen der Welt, Manifesta, Cycle Music & Arts Festival and the Yokohama Triennale among others.
Friedman is currently based between Venice and Berlin.
A Sphere of Water Orbiting a Star
Feminist Takes
In Search of Magic - A New Proposal for
the Constitution of Iceland
A Slightly Curving Place
Infinity Minus Infinity
Molecular Ordering of Computational Plants
O Horizon
Studies of an Alien Skin
Multitudes / / / From Strings to Dinosaurs
Spomenik / Monument
In the Year of the Quiet Sun
The Radiant
Anathema
Hydra Decapita
Counterpoint Geometries: Das Wohltemperierte Klavier for 60 Speakers